Machine-Aquarium. Claude Monet et la peinture submergée. Antique to the point of attracting

to the point of attracting the attention of Constantine

D'une longueur proche de 4

May-June 1934

Laura Angelucci (LA) is a scientific documentalist in the Department of Graphic Arts

following it

Machine-Aquarium. Claude Monet et la peinture submergée. Antique to the point of attractingIt is a strange liquid diorama that envelops the visitor in Water Lilies of the Orangerie, confronted with this water of pigments like the glass panel of an aquarium. The aquarium is this machine for seeing differently, where things move as if weightless and floating, and which immediately inspires painting and the nascent cinematography with the novelty of its spectacle. Perceived by artists, philosophers and writers of the late 19th century century