Jawlensky. La promesse du visage. Archéologie généralité Religion held a central place

Religion held a central place in everyday life

it aims to offer a renewed description of Athenian society

A flower makes spring: the Ancients saw it as the symbol of nature

A key yet little-known sculptor on the French art scene of the early 20th century

and a minority of citizens of Carthage

Jawlensky. La promesse du visage. Archéologie généralité Religion held a central placeA Russian painter and Kandinsky's traveling companion during the first decade of the 20th century in Munich, Alexej von Jawlensky offers the example of an artist who participates in modernity by experimenting with boundaries: between expressionism and fauvism, between figuration and abstraction. This singular work begins an exploration of the face, which simplifies over the years, moves away from resemblance, then blurs, loses its features, to become