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Flemish Virginals after Ruckers by Robert Davies
* Intended to help bridge the gap between scholarly editions and performance editions
The second Bourrée only has a partial signature and the Allemande has a rhythm quite unique for the piece as it includes three semiquavers instead of one
It is based on a Denner model
composed in 1974
Molter, Johann Melchior: Clarinet Concerto No. 1 in A major Model_Studio Flemish Virginals after Ruckers byUrtext
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